I went to church today in downtown Yaoundé at the Hilton. Reminds me of going to Hope Community Church back in the late 80s when we met in the Holiday Inn in downtown Fort Worth.
Afterwards, I wandered over to the
Moulin de France which has a salon de thé and some very good pizza: ham, goat cheese, mushrooms and pineapple. They had never heard of pineapple on a pizza, but gave it to me. But it seemed all wrong without my Sunday evening crowd and Madame Sangara from the Olympia Pizza place back "home".
As I left, I was planning to wander up the boulevard to the Bois Sacré Anastasie, which I did eventually.
But first I happened upon a wonderful event happening in the alley just between the Moulin de France and the Institut Français (formerly the French Cultural Center). The Institut Français and some other partner had arranged for a dozen artists to paint murals up and down this alley. This was the last of 3 days and I happened upon them during a break. Most of the paintings were close to being done and there was a guy leading the artists down the street and they were commenting on each mural and giving critiques, suggestions. etc.

I was surprised, as I often am when I realize that other languages can express abstract ideas in domains I am not used to. These guys had obviously had good training in art and also very good level of french. Some pictures were deemed to be too 2-dimensional without enough shading and color depth. or perhaps derivative of other works. They also talked about what the paintings meant - always interesting to contemplate. The artist had been given a theme, simple enough - to evoke something of their city: Yaoundé. Some of the less creative ones (according to the one guy I talked to) worked the word Yaoundé into their work when the link was not obvious enough.
(Note: All of the pictures on this page are available at my flickr page if you want to see them in more detail, download them, etc.)
This painting was one that was deemed to be 2-dimensional due to the lack of color depth. Note the letters Yde at the bottom, representing Yaoundé.
When i came back later, the artists were putting finishing touches on this mural and the next one. (Below)
The painting below was one of my initial favorites, just because I liked the effect of the water forming hair.

Right: Tools of the trade - acrylic paints (used by all the artists to provide cohesion) and cut off water bottles and ketchup bottles.
After the artists were done commenting on each others' work, they went back to work and I got a chance to talk to some of them. Here are some of my favorites.
This one shows some of the busy street scenes so common in Africa.
I really like the depth in this picture and it is enhanced more below, where it appears the artist is standing in behind the rest of these people on the street.
The artist I spoke to the most was Dieudonné (name means "God Given"). Here he is in front of his mural which was so long it took up two pics.
He says the painting represents people moving forward into the future. The woman is holding a calebasse (large gourd used in cooking, for carrying water, milk, etc and also fairly symbolic. Kind of like the "mom and apple pie" of Africa).
Left side of Dieudonné's painting:
A man holding the tools of his trade (in this case a paintbrush with green paint) moving into the future. He is also holding a lantern to light his way. The white orb represents light as well - the moon or sun.
If I haven't gotten the cards mixed up, this is Gael Rostrand Pokam standing in front of his picture unfinished here and a bit more finished below.
I correctly interpreted this one. It shows an elder passing stories and cultural knowledge down to youth (wearing the colors of the Cameroonian flag - yellow, red and green). They are situated in the modern city with skyscrapers. But to the left there are scenes representing the village from whence the elder came and draws his knowledge to help guide the next generation.
The last ones that I am going to comment on are from Alain Djeumo (
djeumoal@yahoo.fr)
I talked to him for a while as well. He was pleased that I picked up on the imagery of the shoes. On the left there are business shoes representing professional people. The center pair of shoes are pantoufles - traditional slippers worn by elders and village folks. And on the right are a pair of "baskets" - tennis shoes for the young.
In the middle of his space there is half of one of the ubiquitous taxis of Yaounde, which hold up to 5 passengers, each of whom pays 20 cents to ride where they want to go - but only along the route the driver has chosen. For $3 you can ask for a "depôt" which means you get in and the passengers already inside get out at their stop and then no new folks are picked up as you go on to your chosen destination, no matter how far away.
Alain explains the imagery of the faces, again in the colors of the Cameroonian flag (and most other African flags). The faces, which each share a mouth and an eye with the next, representing different parts of society working together.
To the left of that is an unfinished stoplight which he said would have the logos of 3 cars, each representing countries that have had a big impact historically on Cameroon. Germany (mercedes logo), France (Renault?) and another country he had not decided on.
Well, there are a few more pics on the flickr site (http://www.flickr.com/photos/timthast/) but you deserve a reward if you got this far.
Kudos to all these artists and to the
Insitut Français (French Cultural Center) for sponsoring this.